Sherlock Holmes and the Mysterious Parcel

English: Sherlock Holmes (r) and Dr. John B. W...

Sherlock Holmes and the Mysterious Parcel

By

Dr. John Watson*

Sherlock Holmes’ reputation as the greatest sleuth of our time was such that there was never a lack of those who sought his help.  The variety of cases brought to him was as varied as crime itself.  It was more the challenge a particular case presented than the case itself that compelled his interest.

Not every case that Holmes took on during my years sharing lodgings with him at 221B Baker Street involved crime.  Indeed, many of the more memorable cases which I witnessed, and dare I say, to which I contributed my own expertise, had nothing at all to do with a criminal act.  One example was what I call “the case of the mysterious parcel.”

It was the evening of the 20th of April, 1890.  I arrived back from Greatham, where I visited Lord and Lady Marshall.  His Lordship and I served together in India.  My visit provided an opportunity to recall shared adventures in one of the most enchanting corners of our empire.  We shared a bottle of sherry and filled the air with the sweet aroma of some of the finest Cavendish that ever filled the bowl of a pipe.

The return trip to London was uneventful.  I arrived at Paddington Station just before 6:00 p.m., and immediately took a hansom cab to Baker Street.  

Mrs. Hudson greeted me as I entered.

“I am most delighted to see you’ve returned, Dr. Watson.”

“Thank you, Mrs. Hudson.  As they say, ‘there is no place like home.’”

Mrs. Hudson appeared to be somewhat upset.  She was rubbing her hands together, and there was a definite look of concern, if not worry, in her face.

“Is something bothering you, Mrs. Hudson,” I inquired out of genuine concern.

“It’s Mr. Holmes, Dr. Watson.  He’s been up there all afternoon playing the violin,” she paused, then continued, “ever since the package arrived.”

“What package?” I asked.

“I am sorry, Doctor,” she replied.  “I must explain, of course.” 

Mrs. Hudson was obviously concerned about Holmes.  She moved about wringing her hands together.  She stopped, looked at me and began to explain what was troubling her.

“It was midday.  I was about to take tea up to Mr. Holmes, just as I always do, when I heard someone knock on the door.  When I opened the door, a very distinguished young gentleman was standing there with a package.  He tipped his hat, bowed his head, and asked if I was Mrs. Hudson.”

“Yes,” I replied.

“He then held out the package and asked that I deliver it to Mr. Holmes.  I said that I would.  The gentleman thanked me, and once again tipped his hat, bowed his head, smiled, and then turned and climbed into a waiting cab.”

“And that was unusual?” I asked.

“Well, not at first,” she replied, and then continued.

“I felt right off that there was something different, strange even, about the package.”

“Strange you say?”

“Yes.  You see, Dr. Watson, it appeared to be wrapped very carefully in plain brown wrapping paper and tied with a string; I mean a kind of twine, a tan twine.”

“Are not most packages wrapped in brown paper and tied with string, or as you say about this package, tan twine?”

I admit that I was having some difficulty understanding why Mrs. Hudson seemed to be so troubled by this particular package. 

I continued:  “There must have been something odd about the package, or the gentleman who delivered it, that has caused you such concern.  Please, tell me more.”

“I’m not sure there was anything really unusual.  Like you say, Dr. Watson, packages do arrive from time to time for Mr. Holmes, or yourself.”  She paused, as if trying to reconstruct the whole episode from memory.  She looked straight at me and continued in a low voice as if wanting to be sure that she would not be overheard by someone other than me.

“Perhaps it was Mr. Holmes’ reaction, when I took the package up to him with the afternoon tea.”

“His reaction?” I asked, “What sort of reaction?”

“Like I said earlier, Mr. Holmes was playing the violin when I reached the top of the stairs and knocked on the door.  He answered that I should enter, and I did.”

“Continue.”

“I placed the tray with the tea and the package on the side table next to his favorite chair.  It was a small package, you see, so it fit easily on the tray with the tea.  I told him that there was a package for him.  As I turned to leave, he began to . . .  Well, you know how Mr. Holmes can be at times, rather peculiar I say?”

“Yes, of course,” I replied.  “He no doubt told you in great detail not only how the young messenger was dressed, but also described the cab and cabbie.”

“Oh, yes sir.  It is rather uncanny at times how Mr. Holmes can see so much more than the rest of us.  Do you suppose it is, as he likes to say, mere logic, or,” she smiled, “something more, some sixth sense?’

“Humph,” I replied.  “I think it more likely that Mr. Holmes was looking out of the front window when the cab with the gentleman and package arrived.  Logic?  Yes, but nothing more.”

“I’m not so sure,” replied Mrs. Hudson.

“I grant you that Mr. Holmes can be rather awe-inspiring with his, as he calls them, deductions, but you must remember Mrs. Hudson,” and I smiled and winked, “Holmes is not that different than you or I.”

After bidding Mrs. Hudson good night, I ascended the stairs to our rooms.

When I entered, I immediately observed Holmes sitting in his chair, staring straight ahead as if deep in thought.  The mysterious package was sitting on the end table beside the chair just where Mrs. Hudson placed it, still unopened.

“Mrs. Hudson filled you in, I assume?”

“Filled me in?  Filled me in about what?” I asked.

“The events of the afternoon,” Holmes answered. 

“Yes, she did mention something to that effect.”

“Something?” Holmes replied.  “I am quite sure Mrs. Hudson recounted all that she remembered, and then some.”

“I notice you haven’t opened the package.”  Of course, I was merely stating an obvious fact, but I did so in a tone that would elicit a response.

“It isn’t necessary, Watson.  Opening the package would confirm what can be deduced from a careful examination of the package, itself.”

I had no doubt that Holmes was able to do just that, but I knew also that to say nothing, was not what he expected.  We were playing a game, one which began when I entered the room.  Holmes made the first move when he commented on Mrs. Hudson’s habit of keeping me informed about his every move when I was absent. 

We both understood that Mrs. Hudson was not prying.  That was something beneath a woman of her character.  No.  She did so in the hope that my response might shed a little light on what she liked to refer to as “the most peculiar and interesting gentleman I have ever let rooms to.”

I said no more and neither did Holmes. 

Only moments later, there was a knock on the door.  Mrs. Hudson appeared, carrying a much appreciated tray with tea and biscuits.  She never failed to bring refreshments when either of us returned from a long journey.

Holmes did not acknowledge her presence.  That was not in itself unusual.  He could be the very model of a gentleman towards Mrs. Hudson.  At other times, when he was preoccupied, it seemed that not even an earthquake would disturb his train of thought.

Mrs. Hudson said nothing.  She paused, looked at Holmes, and then gave me the usual look that said she understood.

I poured myself a cup of tea, and then sat down to read the evening paper.  The minutes ticked by.  Finally, I could stand the stress no longer.  I quickly folded the newspaper in my lap. 

“Holmes!”  I said, in an obviously frustrated voice.

“Watson.”  He replied, “Something must be troubling you.”

“You know exactly what is bothering me,” I answered.  “Would you please open the package?”

Holmes rose from his chair and slowly walked across the room.  He picked up the package from the end table.  He turned the package in his hands as if examining it, as I became more anxious.  It was his move, and he was relishing every moment.

“The ordinary individual would look at this package and see only a very ordinary package.  He would deduce nothing.”

Holmes did not mean to belittle me.  I was well aware of his respect for my own ability to deduce a conclusion from careful observation of the problem put before me.

“As a medical doctor trained to diagnose an illness from a set of often baffling symptoms, I would expect nothing less than a keen sense of observation from you,” he often said to me.  It was his indirect way of complimenting me without having to display any human emotion.

“I, on the other hand,” he continued, “see a great deal.”

He sat down in the chair opposite me and in his usual manner began to explain.

“First consider the wrapping paper.  It is no ordinary brown wrapping paper.  It is too thin and too crisp.  And look closer, Watson.  Notice the tiny hair-like fibers in the paper.  No.  This not the sort of paper one might purchase in the local stationary shop to wrap packages in.  If we were to hold it up to the light, I am sure we would see a water mark in the paper.”

Holmes continued.  “You and Mrs. Hudson are both correct in identifying the twine in which the package is wrapped.  It is made of hemp, very fine hemp, twisted to form a very high quality of twine.  And look carefully at the ink.  Again, it is not the ordinary black ink used for such a utilitarian purpose.  No.  This is a fine black India ink.”

Holmes sat silently staring at the package.  After what must have been a couple of minutes, he handed the package to me.

“Go ahead, Watson.  Open it.”

I began slowly to remove the wrapping.  Once the package was unwrapped, I glanced up at my friend.  Holmes was staring at what was now only a small box.  There was no sign of emotion or anticipation on his face, only a blank stare.

I opened the box and looked in.  The only contents, other than tissue paper, were a postcard and a folded note.  The postcard was of an inn with white capped mountains in the background.  Judging from the architecture of the inn and the snowcapped mountains, I felt safe in concluding that the location was either in Switzerland or Austria.

I handed the folded note to Holmes.  He read it, then carefully folded it and laid it on the end table.  Without saying anything, he crossed room, picked up his violin and began playing a soft tune, as if remembering a special moment in the past.

I picked up the note and read it.  Written in a very beautiful cursive by a feminine hand was the simple message:  “Happy anniversary.  Irene.”

*a.k.a., Paul R. Waibel

America’s Forgotten Hisitory

I lived in Lynchburg, Virginia during the 1960s while in high school and college. I left after graduating from Lynchburg College in 1968. I returned eleven years later for a brief four years. During those four years I discovered things about Lynchburg’s history that I was unaware of while living there in the sixties.

I did not know, for example, that Thomas Jefferson’s summer home, Poplar Forest, was located in one of the city’s western suburbs. Neither did I know that a large house up on one of the hills overlooking the city was once the home of the doctor who gave Patrick Henry a fatal dose of mercury medicine. Dr. George Cabell warned Henry that it might be fatal, but Henry insisted on taking it. He died.

Both Popular Forest and Point of Honor are now tourist attractions; neither was when I lived in the area. My point is simply this. We often live near locations of historical significance without knowing it, often because no one ever bothered to erect a marker.

Andrew Carroll‘s very interesting book, HERE IS WHERE: DISCOVERING AMERICA’S GREAT FORGOTTEN HISTORY (New York: Crown Archetype, 2013), brings to light many interesting, and often overlooked, individuals and events in America’s history. Carroll does so by visiting the sites associated with the people and events. Often those living nearby were unaware of what took place there until Carroll showed up asking questions.

The stories uncovered by Carroll are more interesting than they are of historical importance. A visit to some “lush green bean fields” in western Indiana is the setting for an account of Horace Greeley’s involvement in an attempt to establish the utopian community known as the Grand Prairie Harmonical Association. Like other such attempts in America, and there were quite a number, GPHA failed. Nothing is left of the community, or should we say commune, except bean fields.

Not everyone would be happy with Carroll’s reviving memories of individuals or events many Americans, especially those living in their shadow, would rather remain hidden in the back of history’s closet. One example is Carroll’s visit to California’s redwoods in search of any tribute to Madison Grant, one of America’s early conservationists.

Given the popularity of environmental issues today, it is remarkable that almost no one is aware of the fact that one of the three men responsible for saving the giant redwoods of California was a man named Madison Grant. In fact, there is only a small bronze plaque in California’s Redwoods State Park that pays tribute to this great conservationist and defender of America’s natural beauty. There are three names listed on the plaque. They are Madison Grant, John C. Merriam, and Henry Fairfield Osborn, founders of the Save-the-Redwoods League.

Most of those who by some accident happen to see the plaque and read it have no idea who any of the three men were. A few do, and some of them are aghast at any mention of Madison Grant, especially in a favorable light. Why? Not only was Grant a conservationist, he was also the author of a very popular book advocating the now discredited pseudoscience known as eugenics. Eugenics was an attempt of give scientific credibility to the idea of breeding a “master race.”

Madison Grant’s book, THE PASSING OF THE GREAT RACE (1916) was not only widely read in America, but also in Germany. Many Nazi leaders and intellectuals used Grant’s book, as well as Henry Ford’s THE INTERNATIONAL JEW (1920), to give respectability to their racist theories.

HERE IS WHERE includes a great many little known historical points of interest. Not everyone will find every article equally interesting, but there is more than a little here for anyone who enjoys reading about one of the most interesting of topics, history.

HERE IS WHERE: DISCOVERING AMERICA’S GREAT FORGOTTEN HISTORY is an easy and most enjoyable read. Thank you Mr. Carroll.

Until next time, be good to all God’s creation and always walk under the mercy.

Another Novel About Zelda Fitzgerald

The May 1, 1920 issue of The Saturday Evening ...

The May 1, 1920 issue of The Saturday Evening Post, the first time Fitzgerald’s name appeared on the cover of the magazine to which he contributed for much of his life. Fitzgerald’s short story Bernice Bobs Her Hair appeared in this issue. (Photo credit: Wikipedia)

It was for me a mistake to read Erika Robuck’s CALL ME ZELDA (New York: New American Library, 2013) after having read Therese Flower’s Z: A NOVEL OF ZELDA FITZGERALD (2013). Whereas Z kept me turning the pages, CALL ME ZELDA kept me wondering if I should continue reading. A hundred pages into the novel all I could utter is “ho hum.”

CALL ME ZELDA is the sort of novel that is enjoyed by ladies who want a somewhat romantic story to pass the time while enjoying a good cup of coffee. It is a good story, well written, but only that.

Zelda Fitzgerald is merely a supporting character in a story about Anna Howard, a nurse in a psychiatric clinic. Zelda Fitzgerald, a patient in the clinic, plays a supporting role to Anna. Other characters, like Zelda’s husband the writer F. Scott Fitzgerald, move in and out of the story.

CALL ME ZELDA is a bit of light fiction, a notch or two above the cheap paperback romance novels that are cranked out like newspapers. There is really nothing to communicate to the reader any feeling of the Jazz Age. Unlike Flower’s Z, I felt that I knew nothing more about the Fitzgerald’s or the world they so colorfully inhabited than when I began reading.

In the end, I am left with the feeling that this is just a story, one in which the characters are given names that enables it to capitalize on the renewed interest in F. Scott and Zelda Fitzgerald, an interest stirred up by the remake of the movie, THE GREAT GATSBY. Change the names of the characters, and the story would be the same.

Until next time, be good to all God’s creatures and always go under the mercy.

Zelda Fitzgerald: An Autobiographical Novel

Zelda Fitzgerald

Zelda Fitzgerald (Photo credit: Wikipedia)

I decided to read Z: A NOVEL OF ZELDA FITZGERALD by Therese Anne Fowler (New York:  St. Martin’s Press, 2013) after viewing Woody Allen’sMidnight in Paris” (not once, but three times!), visiting the grave of Scott and Zelda Fitzgerald in Rockville, Maryland, and viewing once again the 1974 version of “The Great Gatsby.”  There is just something about the interwar era and its ambience which draws me to anything associated with that period.  Whatever the case, I could not resist reading Z.

The novel is written almost as an autobiography.  In fact, I had to keep reminding myself that it was, in fact, a work of fiction.  Ms. Fowler has Zelda relating the story of her life from 1918, when she first met Lieutenant Scott Fitzgerald, until Scott’s death in 1940.   The reader is able to see and experience the “Jazz Age” through the eyes and emotions of Zelda.

As I journeyed through the two decades of Zelda and Scott’s turbulent life together, I kept wondering how much of Zelda’s struggle to establish her own identity, apart from always being known as “F. Scott Fitzgerald’s wife,” was true.  I felt sorrow for Zelda as she tried repeatedly to love Scott despite his obvious obsessive jealousy.  Scott himself struggled with his own doubts about his talent as writer and his fear of slipping into the shadows behind a wife whose potential success as a writer threatened his own self-image.

I felt sorrow for Zelda as she fought a mental illness that neither she nor the doctors of that time were able to understand.  Today, she would likely have been diagnosed with bipolar disorder, a treatable illness.  Unfortunately for Zelda the best knowledge about mental illness of that time was very limited.  Much of the treatment she apparently received was not what some someone suffering from bipolar disorder would receive today.

Although Ms. Fowler wants the reader to remember that Z:  A NOVEL OF ZELDA FITZGERALD is a work of fiction, she does inform us of the extensive research she undertook in order to write the novel.

There is one quote attributed to Ernest Hemingway, whether in fact so or a creative invention of Ms. Fowler’s, that I feel sums up the ambience of that period for which Scott coined the descriptive term, “the Jazz Age.”  “Nature tests you, and if it finds you worthy, it lets you live another day.”  In reality, all the glitz and glamor associated with the Jazz Age was only an illusion that hid the pain felt by a generation wounded by the Great War and all that followed from it.  Perhaps the Jazz Age was a distraction, an attempt to ignore psychological pain.

I seldom read novels, but when I do, I want one that is more than just a story, a brief diversion from everyday boredom.  Therese Anne Fowler’s Z:  A NOVEL OF ZELDA FITZGERALD fit the bill, and so I award it five stars.

Until next time, be good to all God’s creatures and always walk under the mercy.

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A Love that Endures

Cover of "Joni: An Unforgettable Story"

Cover of Joni: An Unforgettable Story

JONI & KEN: AN UNTOLD LOVE STORY by Ken & Joni Eareckson Tada (Grand Rapids, MI: Zondervan, 1213) is a book that answers many questions. Those of us, who have followed Joni Eareckson’s life since the appearance of her autobiography and the movie based upon it, have wondered what life must really be like for her, and since her marriage in 1982, her husband Ken Tada. Now we are able to see, understand, and be inspired by a marriage that must have been, as they say, “made in heaven.”

Joni’s story is familiar to many, especially Christians. Born in 1949, a diving accident in the Chesapeake Bay in 1967 left her a quadriplegic, paralyzed from the shoulders down. Her struggle with pain and depression as she learned to accept the reality of her future is told in her autobiography, JONI (1976) and JONI (1779), the feature film based upon it.

Her public life and ministry since then is well known. She founded a Christian ministry, Joni and Friends, devoted to providing practical and spiritual support for individuals suffering with disabilities of various kinds and their families. Over the years she has authored 48 books, including 2 award-winning children’s books. She has made too many public appearances to count, and used every form of media to bring comfort and encouragement to those suffering and understanding to those of us more fortunate.

In 1982, Joni married Ken Tada. All sorts of questions now flooded the minds of her admiring public. Why? Why would a healthy, athletic man marry a woman, a very beautiful woman, but a woman in a wheelchair? What sort of life can they have together? How will he be able to deal with her disability day after day, year after year? How will he be able to deal with her inevitable periods of depression, providing encouragement and strength rather than pity? In short, what will their life together be like, when they don’t have to be always smiling and cheerful in front of the cameras?

JONI & KEN: AN UNTOLD LOVE STORY is the story of an enduring love, a love based upon commitment to one another, and most importantly, a commitment to Jesus Christ, the one who has promised to be our rock, and the one who is ever faithful to his promises.

Until next time, be good to all God’s creatures and always walk under the mercy.

It Was a Dark and Stormy Night

“It was a dark and stormy night.”

I typed that line at the top of the page. Then I leaned back in my chair and just stared, stared at the sheet of white paper peeking out from the top of the typewriter, mocking me.

“’It was a dark and stormy night.’ Is that all you can think of? How about a flash of lightning followed by a slow roll of thunder across the dark sky, wind blowing through the trees, the rattle of windows, the sound of rain hitting the roof, yes, lots and lots of rain?”

I tore the page from the typewriter in frustration and anger, crushed it into a ball and tossed it in the direction of the waste basket. It hit the wall and bounced off, missing its target to join the many other wads of paper scattered about. I reached for a clean sheet of paper and fed it into the typewriter.

I turned the roller until a small portion of the virgin paper emerged above the keys. I sat up straight, took a deep breath, and prepared to type.

The keys sang out: click, click, clickity-click, click . . .

I was composing a short story, a great piece of literature, perhaps a great novel in its infancy.

I paused and looked at what I had written: “It was a dark and stormy night.”

“Hemingway could do better.”

“Hemingway does not impress me,” I replied. “If your intent is to mock me, you really must do better than Hemingway.”

“Hemingway won the Nobel Prize, or have you forgotten?”

My frustration with my own lack of creativity was increasing.

“I am sure that even Hemingway had dry moments from time to time.”

“Dry?” I answered with a note of contempt in my voice. “He drank more than that big fish the old man in the boat claimed to have caught. Need I warn you,” I continued, “you can be replaced?”

“With what, a computer?”

“And why not?” I asked. “Technology is everywhere today. Why even books are digitized.”

“No great writer ever used a computer,” my antagonist continued. “And may I add, no lover of books would ever read one on a screen.”

I folded my arms and stared down at the typewriter.

“Now, put some mood music on the phonograph, pour yourself a drink, and get to work.”

I ripped the paper from the typewriter, crumpled it, and tossed it on the floor with the others, and placing a new sheet in the typewriter, I began to type.

“It was a dark and stormy night.”

Until next time, be good to all God’s creation and always walk under the mercy.

Someday I Want to Write a Novel

Someday I would like to write a book, a real book, the kind that people purchase to read while sitting in an airport waiting for their flight, or while seated in their favorite chair with a cup of Jo on the end table and a noble beast asleep on the rug.  I mean a novel, the sort of book that reviewers after reading it refer to the one who wrote it as an “author.”

I am frightened by the thought of attempting to write fiction.  Writing ordinary prose such as you are reading is something anyone can learn to do.  It is all about technic, whereas fiction requires talent.

Not long ago, I joined a local group of individuals interested in writing.  They call themselves the “Clinton Ink Slingers.”  The purpose of the group is to encourage each other by gently critiquing each other’s writing.  Shortly after joining the group, I tried my hand at writing a short story.  I even took a chance and posted it on my blog.  A few individuals read it and complimented me on it, but they were mostly friends, relatives, and members of the Clinton Ink Slingers. 

I have written books, all of them history books.  Most are read by students forced to slug through them by a frustrated and disillusioned professor ever on the quest for the perfect text dumbed down enough to hold, however briefly, the limited attention span of today’s “young scholars.”  My use of “young scholars” is a humble attempt at sarcasm.  I do not think there is a textbook on the market with enough bells and whistles to draw the average student away from his or her iPhone for more than a fleeting moment.

What started me thinking about writing and my dream of one day writing a novel are several things.  The first was a visit to the grave of F. Scott Fitzgerald and his wife, Zelda, in a small church cemetery in Rockville, Maryland.  One of the priests at the parish church assumed I was just another of many pilgrims who stop by from time to time.  One such pilgrim who preceded me left an empty wine bottle, two mini whisky bottles, also empty, a single red rose, and a hand written letter to Scott and Zelda.

A second stimulus came in the form of an advance readers’ edition of a new novel by Therese Anne Fowler titled Z:  A NOVEL OF ZELDA FITZGERALD.  It will be on-sale in April.  Although fiction, it is well-researched and very interesting.  Anyone who has seen and enjoyed Woody Allen’s recent movie, MIDNIGHT IN PARIS (2011), will enjoy reading Z.  Ms. Fowler does an admiral job of communicating to her reader what it must have been like to be among that group of American expatriates known as the “Lost Generation.”

Finally, it was 87 years ago that the Book-of-the-Month Club was born.  Its first selection was LOLLY WILLOWES by Sylvia Townsend Warner.  It is an early feminist novel about a woman who sells her soul to the devil, and in return becomes a witch.  The novel is still in print.  There is even a Sylvia Townsend Society which seeks to keep interest in the too often neglected author.

The Book-of-the-Month Club was the creation of Harry Scherman, Max Sackheim, and Robert Haas.  At a time when books were sold through bookstores in urban areas, Scherman looked for a way to sell books to people in rural areas.  Scherman was a member of a group of bohemian intellectuals living in Greenwich Village during and after World War I.  They had in common a love for fine literature and the desire to find a means of marketing books to the literate masses beyond the big cities. 

The first Book-of-the-Month Club selection, LOLLY WILLOWES, was mailed to 4,750 members in April, 1926.  Membership rose to 46,539 by the end of the year, and stood at just under 100,000 in 1928.  Record numbers continued over the decades.  In 1946, the club mailed its 100 millionth book. More than 22 million books were shipped to over 3 million members in 1993, alone.

A book’s success was virtually guaranteed if selected by the club’s editorial board.   The board’s original function was to “select the best new books each month.”  Sales were important, but for many decades the editorial board selected books that were likely to endure as “literature” rather than be remembered, if remembered at all, as “best sellers.”  During the board’s first sixty years the Book-of-the-Month Club offered books by 25 authors who went on to win the Nobel Peace Prize, and 79 who won the Pulitzer Prize.   

A case in point is J. D. Salinger’s novel THE CATCHER IN THE RYE (1951).  At one point in the story, Holden Caulfield makes a disparaging remark about “guys who belong to the goddam Book-of-the-Month Club.”  Salinger had no idea at the time that that “goddam Book-of-the-Month Club” would help establish THE CATCHER IN THE RYE as one of the all-time great American novels.  After having sold more than 65 million copies, it remains on the shelf of any respectable bookstore or library.

I do not expect to ever win a Pulitzer Prize or become a Nobel laureate, but I do continue to dream of writing a novel.  Two members of our little group of Ink Slingers recently signed contracts with “real” book publishers.  Dreams do come true, but not if one merely sits dreaming.  Persistent hard work is necessary.  I think I will write a short story beginning with the line:  “It was a dark and stormy night.”  

Until next time, be good to all God’s creatures, and always walk under the mercy.

Jesus: A Biography

The first thing one must acknowledge about JESUS: A THEOGRAPHY by Leonard Sweet and Frank Viola (Thomas Nelson, 2012) is that it is written for the layperson who is already a believing Christian what is commonly referred to as an evangelical.  It is not scholarly book meant for the seminary student, although I do not want imply that a seminarian would not profit from reading it.  It is written in a popular style and does not assume a very sophisticated reader.

The central theme of the book is that the Bible is a single narrative that is all about Jesus Christ from Genesis through Revelation.  There nothing new in that.  Any evangelical Christian, this reviewer included has heard that many times, and has no problem agreeing with it.  After all, we recognize the Bible as divine revelation, not a collection of myths and attempts by various individuals to answer those perennial questions of the meaningfulness, if any, of what exists.

Leonard Sweet and Frank Viola have taken on a difficult task.  The book is published by a prominent Christian publishing house to be sold primarily through Christian bookstores.  Hence they had to write within certain acceptable interpretations.  They had to keep one eye on the targeted market while trying to write a book that is both intellectually creditable and helpful.

Although I believe the subject could have been covered in far fewer pages, and perhaps too many concessions are made to avoid offending the intended audience, Sweet and Viola have succeeded in their mission.  The average Christian in the pew, the all too few who actually read books, will benefit from this very readable and understandable book.  The Bible IS all about Jesus Christ, and JESUS: A THEOGRAPHY makes that point in a convincing way.  Those who wish to pursue the topic further will find sufficient titles written by theologians and published by presses that specialize in publishing books for the more sophisticated pilgrim.

Julian Barnes On The Writers Who Influenced Him

 

I enjoy reading about authors.  I also enjoy reading essays of all sorts, including book review essays.  These are perhaps the reasons why I chose to read and review THROUGH THE WINDOW:  SEVENTEEN ESSAYS AND A SHORT STORY by Julian Barnes (New York:  Vintage International, 2012).  Frankly, I had never read anything by Julian Barnes, or even heard of him before reading THROUGH THE WINDOW.

Collections of essays, like collections of short stories, are always a mixed bag.  Some will inevitably be more interesting than others.  This collection is no exception.  I did not find the first two essays on Penelope Fitzgerald particularly interesting.  When I hear the name, Fitzgerald, I naturally think of F. Scott and Zelda Fitzgerald.  After reading about Penelope Fitzgerald, I am not likely to do so. 

The essay on George Orwell and the three on Ford Madox Ford are worth the purchase of the book.  Like everyone who went to college during that marvelous decade of the sixties, I read several of Orwell’s volumes.  DOWN AND OUT IN PARIS AND LONDON (1933) and THE ROAD TO WIGGEN PIER (1937) remain my favorites.  After reading the three essays on Ford Madox Ford, I found myself wandering about the local library in search of a copy of THE GOOD SOLDIER (1915).

Julian Barnes is an award winning author of seventeen books, including three short story collections and four non-fiction volumes.  THROUGH THE WINDOW is a good introduction to his writing style as well as an interesting look into the world of books and authors.

Until next time, be good to all God’s creation and always walk under the mercy.

 

For the Sender

 Product DetailsImage of Alex Woodard

I admit at the outset that I am a romantic.  When I say romantic, I mean that I believe, as William Wordsworth wrote:  “One impulse from a vernal wood/May teach you more of man,/Of moral evil and of good,/Than all the sages can.”  The one who does not connect with the universe that he or she is a part of through emotions must surely be a cold, hollow, and ultimately lonely human being.

I enjoy books in which the author attempts to explore the meaning of life by reflecting on one’s own search for meaning.  I think that what I find in these books, as well as in certain poetry, is a sense of what the Germans call Sehnsucht, a longing for something in life that is always there, just out of reach and undefined.  There is a touch of this in Alex Woodard’s FOR THE SENDER: FOUR LETTERS. TWELVE SONGS. ONE STORY.  (Carsbad, CA:  Hay House, Inc., 2012). 

Alex Woodard is a successful singer-song writer from the coast of southern California who divides his time between his beach home and a second residence in the mountains of Idaho.  Woodard offered to write a song for anyone who preordered an album he was working on and sent him a letter telling their story. 

A year went by before the first letter arrived.  It was from “Emily.”  Emily told of how she met her perfect companion, her soul mate.  They were happy together until he died.  Each year since, on the anniversary of his death, Emily writes him a letter telling him how much she cherishes the memories of their time together, and how much she still misses him.  Normally the letters go unread into a drawer, but not this year.  She included the most recent one with her letter to Woodard.

Emily asked Woodard to write a song for her and her deceased soul mate because, as she put it, “I think your songs are gifts.  Pieces of yourself used to help other people with their stories.  So, here is a piece of myself.  It is all I have to share in return for the wonderful thing you are doing with your music and your talent.”  Emily’s letter helped Woodard cope with the loss of his close friend and companion a black Labrador named Kona. 

Three more letters arrived from individuals telling their stories.  One is from “Kim,” the director of a homeless shelter for children.  She tells her story of her own life on the streets, of being raped, beaten, addicted to drugs, and of loneliness and shame.  Because of what she has experienced, she can help others to overcome their feelings of hopelessness.

Another is from “Alison,” who is working as a medic serving in Port-au-Prince, Haiti.  She sees things that even nightmares shy away from, but also beautiful things.  She learns much about herself from those who cannot begin to imagine a world like that from which Alison came.

“Katelyn” writes about how she was able to overcome the despair she felt after her husband, a policeman, was killed in the line of duty.  Life can go quickly from a pasture green to a burned over field, but new life and renewed meaning can take root and grew where once only ashes lay.

The four letters inspired twelve songs.  The letters and the lyrics of the songs are found in the book.  Included with the book is a CD of the songs.  I found both very meaningful. 

THE SENDER is suited for the individual who is trying to make sense of a world that is often filled with more questions than answers. It is ideal for anyone trying to cope with some personal loss.  It would, I believe, make an ideal gift.